Katharina Fritsch is known for installations and sculptures that make use of everyday objects that she reproduces by modifying their scale and painting them monochromatically, following industrial production techniques. To do this, she uses molds from which she creates the final sculpture in plaster, aluminum or polyester. This process enables the seriality of the object in her installations and the creation of multiples. Fritsch establishes a game with the viewer through visually seductive and uncomfortable pieces at the same time that are situated between the playful and the familiar, by taking her iconography from sources such as art history, myths, folklore and religion. Among the six multiples in the collection we find several of her most iconic images such as the figure of the "Madonna" in plaster painted bright yellow, a work that serves as a vehicle for her to separate religious iconography from the represented image, her "Gehirn", an exposed brain, or her famous "Katze"; objects all between minimalism and pop art, between the rare and the multiple, as prototypes that are never mass-produced.