Over the two decades spanning her career, Olga Diego has worked in media as diverse as video, drawing, installation, and ceramics. "Ostrich" is one of the artist's earliest works and serves as a manifesto of her conception of art. Shot in Benifato, in the Sierra de Aitana in Alicante, Olga Diego defines this action as a "reflection on fear, anguish, and the panic situations that accompany it". Her work explores mental and physical capacities in extreme, non-ordinary situations, often exposing her own body to risky situations, whether by burying her head in earth, setting her hair on fire, elevating herself in rudimentary inflatable devices constructed by the artist herself, or confining herself in a room to draw, without sleeping, until complete exhaustion. This is the case of the project "Transcription/Non Stop Drawing Action" carried out in London in 2018 to which these three drawings belong. For fifty-eight hours, Diego secluded herself to draw uninterruptedly in a closed space, using walls, floor, and independent papers as support. This performative action served the artist to explore the creative act at the limits of the physical, making use of drawing as a vehicle for this investigation. The result is mysterious and dreamlike images, sometimes unsettling, traced with great delicacy.