Exceeding the Limit is one of twenty studies on paper that the artist created in 1965 as preparatory work for three large-scale canvases titled Four Phases Around a Prohibition painted in 1966.

The image shows a multitude of human figures i...

Promenade is a color lithograph published by the Maeght Gallery in Paris, printed at the Mourlot workshop and included in issues 101-103 of the Derrière le Miroir magazine, published in 1957. The print held by the museum is copy number 40 from an ...

The story of how this sculpture came to the collection is itself remarkable. Thanks to the friendship that united Sempere with Pierrette Gargallo de Anguera, daughter of the sculptor, and after months of negotiations and import procedures, the pie...

Montserrat criant no. 2 arrived at the collection as a gift from Roberta González, daughter of the artist, to Eusebio Sempere, as proof of the great friendship that united them. Sempere himself recalled it this way in 1976: "Roberta González gave ...

There are two preparatory drawings in Juan Centenera Garrido's personal archive of this sculpture where Sempere designs the BALL with square tube of 10 with bevel, 225 x 164 cm, blue marker on white quarto paper of cloth paper, no. 65 and no. 68, ...

Still Life with Napkin is a work from the full maturity of Juan Gris, painted in 1924, barely three years before his death. Small in format, but of great pictorial density, it represents one of the themes that the artist worked on again and again ...

Rythme coloré no. 963 is part of the folder Poésie de mots, poésie de couleurs [Poetry of Words, Poetry of Colors] composed of six etchings by Sonia Delaunay that accompany poems by Arthur Rimbaud, Tristan Tzara, Philippe Soupault, Blaise Cendrars...

Typographie is a mobile made of sheet metal and wire created by Alexander Calder in 1972 and acquired by Eusebio Sempere from the Theo Gallery in Madrid in 1976, one of the most important acquisitions of the collection.

The mobile consists ...