Luis Pérez Mínguez, photographer and friend of Eusebio Sempere who captured an era and with whom the museum has maintained a close relationship. As a result of this are these photographs of Sempere in the Trazos program in 1977, which reached us in a very personal envelope from Luis Pérez Mínguez.
Spanish Television began broadcasting in April 1977 the program Trazos where Paloma Chamorro served as deputy director with Ramón G. Redondo, to later take over the direction of it, until June 1978 when the program's broadcast ended. It was a program of artistic current events. Trazos began broadcasting in black and white because its directors considered that this way the color of the paintings would not be distorted. However, by mandate of the state and public network's management, the program began to be broadcast in color starting in November 1977, which required the creation of a set design. For this, and very ingeniously, Paloma Chamorro invited eleven painters, each of whom created a panel of approximately 250 x 180 centimeters. José Manuel Broto, Gerardo Delgado, Carlos Franco, Luis Gordillo, José Guerrero, Guillermo Pérez Villalta, Manolo Quejido, Gerardo Rueda, Eusebio Sempere, Gonzalo Tena and Jorge Teixidor painted live under the watchful camera of the photographer of an entire era.
